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About Moldova

The culture

The culture

The culture of Moldova is a combination of Romanian culture and Soviet culture. The traditional Latin origins of Romanian culture reach back to the second century A.D., the period of Roman colonization in Dacia. During the centuries following the Roman withdrawal in 271 A.D., the population of the region was influenced by contact with the Byzantine Empire, neighboring Slavic, Magyar and other smaller populations, and later by the Ottoman Turks.

Beginning in the nineteenth century, a strong West European (particularly French) influence came to be evident in Romanian literature and the arts. The resulting mélange has produced a rich cultural tradition. Although foreign contacts were an inevitable consequence of the region's geography, their influence only served to enhance a vital and resilient popular culture.

The population of what once was the Principality of Moldavia (1359-1859) had come to identify itself widely as "Moldovan" by the fourteenth century, but continued to maintain close cultural links with other Romanian groups.

After 1812, the eastern Moldavians, those inhabiting Bessarabia and Transnistria, were also influenced by the Slavic culture: during the periods 1812-1917, and 1940-1989, they were influenced by Russian, respectively Soviet administrative control, as well and by ethnic Russian or Russian-speaking immigration. By 1918, Bessarabia was one of the least-developed, and least-educated European regions of the Russian Empire. In 1930, its literacy rate was only 40 percent, according to a Romanian census, itself a huge increase from 12% some 30 years earlier under the Russian Empire. Especially low was the literacy rate for women: less than 10% in 1918 to just under 50% in 1940.[citation needed] Although Soviet authorities promoted education (not the least to spread communist ideology), they also did everything they could to break the region's cultural ties with Romania.

With many ethnic Romanian intellectuals, either fleeing, being killed after 1940, or being deported both during and after World War II, Bessarabia's cultural and educational situation worsened. The country became more Russified. After 1960s, Soviet authorities developed urban cultural and scientific centers and institutions that were subsequently filled with Russians, and with other non-Romanian ethnic groups, but this culture was superimposed and alien. Much of the urban culture came from Moscow; the rural ethnic Romanian population was allowed to express itself only in folklore or folk art. Folk culture Although the folk arts flourished, similarities with Romanian culture were hidden. Music and dance, particularly encouraged by Soviet authorities, were made into a showcase, but were subtly distorted to hide their Romanian origins. For example, the national folk costume, in which the traditional Romanian moccasin (opinca) was replaced by the Russian boot.

Moldova's traditional folk culture is very rich. The ancient folk ballads, such as "Mioriţa" and "Meşterul Manole" play a central role in this traditional culture. Folk traditions, including ceramics and weaving, continue to be practiced in rural areas. The folk culture tradition is promoted at the national level and is represented by, among other groups, the republic's dance company, Joc, and by the folk choir, Doina. Literary culture The first Moldovan books (religious texts) appeared in the mid-seventeenth century.

Prominent figures in Moldova's cultural development include mitropolitans Varlaam and Dosoftei, Grigore Ureche, Miron Costin, mitropolitan of Kiev Petru Movilă, scholars Nicolae Milescu-Spãtaru, Dimitrie Cantemir (1673-1723), and Ion Neculce, Gavriil Bănulescu-Bodoni, Alexandru Hîjdău, Alexandru Donici, Constantin Stamati, Costache Negruzzi, historian and philologist Bogdan P. Hasdeu (1836-1907), author Ion Creangă (1837-89), and poet Mihai Eminescu (1850-89). Varlaam published the first books. Dosoftei founded numerous schools and published a lot. Cantemir wrote the first thorough geographical, ethnographical and economic description of the country in Descriptio Moldaviae (Berlin, 1714). Modern writers include Vladimir Beşleagă, Pavel Boţu, Aureliu Busuioc, Nicolae Dabija, Ion Druţă, Victor Teleucă and Grigore Vieru. In 1991, a total of 520 books were published in Moldova, of which 402 were in Romanian, 108 in Russian, eight in Gagauz, and two in Bulgarian. In the early 1990s, Moldova had twelve professional theaters. All performed in Romanian, except the A.P. Chekhov Russian Drama Theater in Chişinău, and the Russian Drama and Comedy Theater in Tiraspol, both of which performed solely in Russian, and the Licurici Republic Puppet Theater (in Chişinău), which performed in both Romanian and Russian. Although, among those controlled tendencies by Soviets, real artists in music formed real art-bands, such as "Ciocîrlia" led by Serghei Lunchevici and "Lăutarii" of Nicolae Botgros. Members of ethnic minorities manage a number of folklore groups and amateur theaters throughout the country. Music of Moldova Moldovan music is closely related to that of its neighbour and cultural kin, Romania. Moldovan folk is known for swift, complex rhythms (a characteristic shared with many Eastern European traditions), musical improvisation, syncopation and much melodic ornamentation. Pop, hip hop, rock and other modern genres have their own fans in Moldova as well. Modern pop stars include O-Zone, a Romanian and Moldovan band whose "Dragostea din tei" was a major 2004 European hit, guitarist and songwriter Vladimir Pogrebniuc, Natalia Barbu, who is well-known in Germany, Romania and Ukraine, and Nelly Ciobanu. The band Flacai became well-known in the 1970s across Moldova, turning their hometown of Cahul into an important center of music.

Religion in Moldova Religion in Moldova is separate from the state. The Constitution of the Republic of Moldova provides for freedom of religion, and the Government generally respects this right in practice; however, the law includes restrictions that, at times, inhibit the activities of some religious groups. The generally amicable relationship among religions in society contributes to religious freedom; however, disputes among various branches of the Christian Orthodox faith continue, and there are some reports of Jehovah's Witnesses experiencing harassment from local town councils, as well as Orthodox priests and adherents. Freedom of religion The Constitution provides for freedom of religion, and the Government generally respects this right in practice; however, the 1992 Law on Religions, which codifies religious freedoms, contains restrictions that inhibit the activities of unregistered religious groups. Although the law was amended in 2002, many of the restrictions remain in place. The law provides for freedom of religious practice, including each person's right to profess his or her religion in any form. It also protects the confidentiality of the confessional, allows denominations to establish associations and foundations, and states that the Government may not interfere in the religious activities of denominations. The law specifies that "in order to organize and function", religious organizations must be registered with the Government, and unregistered groups may not own property, engage employees, or obtain space in public cemeteries in their own names.